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16 May 2024 - No Comments
delves into the intricate relationship between designers and artisans in India's design market, crucial for understanding the sustnability of both parties involved. It also investigates how power dynamics manifest within this designer-craftsperson collaboration. The essence lies in deciphering whether the craft industry is merely a byproduct of modernization or an integral part that mntns its past while embracing innovation.
The article highlights the pivotal role artisans play, showcasing their mastery over centuries-old traditions and techniques. While designers bring forth new ideas and aesthetics, it's the skills and creativity of artisans that transform these concepts into tangible reality.
Indian craftspeople are often seen as occupying a nebulous position due to their concurrent existence with industrial cultures. They carry significant cultural capital within design ethnology but are often undervalued based on perceptions of productivity and efficiency. Yet, this dynamic highlights the tension between tradition and innovationa paradoxical aspect of craft that demands both adaptation and preservation.
Designers like Rooshad Shroff exemplify this bl of heritage with contemporary elements through their worklike an embroidered wood bench. These creations are a testament to artisans' contribution in bringing cultural meaning into designs that engage with local contexts, sustnability, aesthetics, and identity.
Cultural narratives often overlook craft's potential for creating distinctive design identities globally, emphasizing its unproductivity or pre-modern status. This view contrasts sharply with the thriving engagement between contemporary design and traditional crafts happening in India.
The article argues that this synthesis is not merely a product of necessity but an active process that challenges the traditional boundaries of artistry and production to create innovative designs infused with cultural significance.
In , designers play a pivotal role in reviving, adapting, and expanding upon traditional techniques while artisans ensure the physical realization of these concepts. Together, they are crafting a unique national identity that resonates internationally through their collaborative efforts.
References:
Justin McGuirk. 2018. The Guardian. https:www.theguardian.comartanddesigndesignandarchitecture
Donkins, L. 2001. Synthesis Report for ICCROM: Crafts and Conservation. June.
Direct links to specific pages or sections of articles were not provided as they are hypothetical.
This revised article mntns the 's depth while improving its flow and structure, ensuring clarity in presenting both historical perceptions of craftwork and contemporary design practices. The language remns accessible, suitable for academic or industry-related publications focusing on the intersection of design history and cultural identity.
This article is reproduced from: https://www.designhistorysociety.org/blog/view/crafting-a-national-identity-in-an-international-market-craft-as-power
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Crafting National Identity through Design International Marketplace and Artisan Power Dynamics Sustainable Collaboration in Traditional Techniques Rooshad Shroff: Fusion of Heritage and Innovation Cultural Narratives in Global Design Identities Reshaping Boundaries between Artistry and Production